![Self Checkout 2025.jpg {layout:out-of-container}](https://appealing-boat-740e5f2af8.media.strapiapp.com/Self_Checkout_2025_800c7ddc87.jpg "Self Checkout\n2025") In line with that, Butcher’s breakout on-chain projects treat a NFT not as a token of novelty but as an engine for structure. _Checks_ (2023), for example, starts with a field of colored verification marks and invites reduction through combination; its open edition ultimately resolved into rarities defined by combinatorics and community action. The project expanded into _Checks Elements_, a 152-work suite pairing monoprints and NFTs, produced with master printer Jean Milant and Cirrus Editions. Running in parallel, _Opepen_ (2023 –) reframes meme culture as a living protocol: sets of 80 works roll out in waves, with collectors signaling which compositions advance. As Butcher puts it: “Consensus is temporary.” This idea underpins Opepen’s governance by attention, iteration, volatility, and scarcity. The project’s reception has been both grassroots and institutional, with dedicated essays and market analyses tracing its evolution and collaborations. Together, these works and projects by Butcher argue for an art of rules and responses: images that are legible at a glance yet change under possible collective pressure. Butcher’s practice moves fluently between digital works on screen and prints or (big) physical objects, without abandoning its core economy of means. From brand design to cultural systems, his role is cemented in a broader conversation about how visual order, distribution, authorship, and circulation operate online.