‘Work’ and ‘Luck’ as twin engines of value
Jack Butcher and SILK to present at Art Basel Hong Kong
February 18, 2026/by Nina Knaack
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Silk Magazine / Analysis
The Gulf circuit
Architecture, patronage, and the formation of an art ecosystem
February 13, 2026/by Justin Gilanyi
On computational creativity
A closer look at autonomous AI agents
February 3, 2026/by Nina Knaack
Why Jack Butcher decided the receipt should be the artwork
How “paying what you want” exposed the opacity of an art fair
January 15, 2026/by Nina Knaack
Does the medium start to look like infrastructure?
Looking ahead at 2026 with Elio D’Anna, Mimi Nguyen, Adam Berninger, and Stephen Santoro
January 13, 2026/by Nina Knaack
The long game: building for decades
A look back at SILK’s 2025 and the road ahead to 2026
December 23, 2025/by E. Dino Gunel
Who will buy digital art? Probably us
Collector and SILK’s co-founder Broke0x on buying our own bags
December 2, 2025/by Jusuf S. (broke0x)
Why digital artists are getting fucked
(and what we're doing about it)
November 20, 2025/by Kaan Eryilmaz
The coexistence of opposites
An analysis of omentejovem's new and intensely colorful artwork
November 18, 2025/by Nina Knaack
Circles breached, circles kept
On omentejovem’s new work 'Cult' and the circles we step into
September 30, 2025/by Nina Knaack
'Stories on Circles' revisited
A return to omentejovem's latest artwork, uncovering subtle tensions and personal narratives that orbit within the Brazilian artist's ten-piece collection
September 17, 2025/by Nina Knaack
A personal loop through Joe Pease's strangely (sur)real streets
Step into a sequence of uncanny daily and urban scenes through this close reading of 'Memory Stacking'
July 31, 2025/by Nina Knaack